Posted on Leave a comment

Viltrox 33mm Short Review

Viltrox 33mm f1.4 Fuji review

Having a standard lens is always useful to have in your bag. The focal length is said to correspond to the field of view of the human eye, although I’ve always thought I see the world more in wide-angle, but I think it refers to the field of view when you are focusing on a subject. The standard lens has no tricks, it doesn’t compress the perspective like a telephoto or expand the scene like a wide-angle, it’s a dispassionate objective lens, which some would say makes it boring. What it does do is highlight the subject matter, making it ideal for photographing people or picking out interesting objects. It also has the benefit of being optically very good due to the lack of technical demands compared to other focal lengths.

Viltrox 33mm f1.4 Fuji review
1/900 @ f1.4

With this in mind my first thoughts were to buy Fujifilm’s 35mm f1.4, a lens I’d owned before and is well regarded in the Fuji community for its rendering. I’d disregarded the f2 version because coming from full-frame Sony I wanted a wider aperture to blur the background more when needed, something you lose a little when going to to a smaller sensor. What made me hesitate was the older autofocus on the f1.4, Sony had spoilt me in that department, so I started to look at third party options and both Sigma and Viltrox came up. The Sigma was a 30mm, while the Viltrox a 33mm which corresponded to a full-frame 50mm. A chance listing for an open box Viltrox on eBay came up and I made an offer which was accepted, at half the price of a secondhand Fujifilm 35mm, definitely worth a punt!

Viltrox 33mm f1.4 Fuji review
1/3200 @ f1.4

First impressions were good, the build quality is excellent, all metal including the lens hood. The lens is a little longer than 50mm film lens which is surprising, my guess is they are using less expensive glass with a lower refractive index. At first I thought the clickless aperture ring would be annoying, but since the aperture is displayed in the viewfinder it doesn’t really make a difference, in fact it makes it a smoother experience. One thing to note while the aperture ring is clickless Fujifilm cameras exposure control is not, so if filming you still see the exposure change in steps in manual exposure.

In the field

Attached to my X-T3 focus is fast and accurate, maybe not as fast as my fast 18-55 Fujinon, but not far off. Eye autofocus also works great, no complaints there. After returning home and downloading the files I was surprised at the sharpness, even at f1.4 it’s sharp which is unusual for an f1.4 lens in my experience. I would say it’s sharper than the Fujinon f1.4 I owned. However, something to bare in mind is the rendering, it’s very neutral compared to Fuji lenses. I found adjusting to +1 on saturation and +1 R on colour balance appear to match the Fuji’s, but more comparisons are needed. This is something you encounter when mixing different brands of lenses. For example my Samyang 12mm f2 is the opposite I have to remove its orangeness. Overall I’m please with the Viltrox, I didn’t encounter the chromatic aberration issues some testers complained about, they were no worse than with the Fuji. I’m sure if I’d tried I could have made them appear but in normal scene photography I didn’t see it. As for bokeh it’s a very subjective thing, I’m happy with what the Viltrox produces, not as vintage as the Fuji? But as I found, even with the Fuji it often depends on the background to a large degree.

Viltrox 33mm f1.4 Fuji review
1/2700 @ f1.8

All photos are straight out of camera with Provia simulation, settings on ‘0’, and auto white balance. Lens with v1.1.4 firmware.

Posted on Leave a comment

Back To The Future

Fujifilm X-Pro 1 camera review

I’ve used several Fujifilm digital camera’s over the years and was aware of the X-Trans 1’s magical sensor reputation but never gave it a great deal of thought really. Then one day I was in my local camera shop to look at a secondhand X-T2, I’d sold one a while ago and quickly regretted it, this one looked in really nice condition. Then behind it I noticed an X-Pro 1. Interesting wouldn’t hurt to have a look I guess. Fifteen minutes later I was walking out of the shop with it, an impulse buy if ever there was!

First thing I noticed was it’s boxy shape with its buttons spaced apart. The LCD screen had a slight dull patch on it when viewed at an angle which was odd until I realised the previous owner must have been left eye dominant. The optical viewfinder is ingenious the way the bright frame changes size with zoom lenses, but I’ve got so used to seeing the photo as it’s going to appear so I haven’t found it that useful yet. The EVF is quite low resolution and small but it works well enough especially after I screwed my 19mm Nikon diopter from the FE on it. The write to card speed is admittedly on the slow side, but it is a 2012 camera so to be expected. The autofocus feels clunky but seems accurate enough in daylight and indoors. I wondered if I’d made a good decision, time to find out. I attached my TTArtisan 27mm lens which I’d been using on my X-T10 to give it a go…

My first shot with the X-Pro 1. It was a cold dull February day which I think is captured here. TTArtisan 27mm shot at f2.8
The in-camera black and white has great tonal gradation. (Shame I didn’t notice the focus had latched onto the cables and not the building) This was BW +Y setting.
An example of the subtlety the X-Pro 1 is capable of. Provia simulation.
The Velvia simulation is wild in a good way, stronger than the later X-Trans?

Conclusion

I have to agree the X-Tans 1 sensor does indeed have the magic X ingredient. It combines sharpness with smooth tonality with its own unique colour palette. I don’t understand why Fujifilm has gradually moved away from this to a more mainstream look, I think the turning point was when they introduced the BSI sensor with the X-Trans 4 in the X-Pro 3. If you see an X-Pro 1, or X-E1 going for a good price I would definitely check it out. I’m off to trying my old Nikon H lenses on it now!

Posted on Leave a comment

In The Beginning…

In the beginning

“All photographs are accurate. None of them is the truth” Richard Avedon

I think the photography bug first bit when I was about nine, during holidays and family events a little Kodak Instamatic would appear and dad would take what appeared to be random photos of us. For my tenth birthday I asked for my own camera and received my own black Instamatic and a roll of film. I found the ability to freeze time fascinating and still do.

The Instamatic was brought out during holidays in North Wale for the next few years. However, my first serious camera was an Olympus OM-10 bought after leaving art college in the 80’s, at the time it was a close choice between it and the Nikon EM. Although I had been using Nikkormats at college the thing that swayed it was the Olympus was capable of manual exposure which I was told was a desirable thing to have.

My first ‘real’ camera the Olympus OM-10

A couple of years later I bought a secondhand OM-1 which I used for most of the 80’s together other OM bodies like the OM-2 and Spot Program. During this time I got a job at Nottingham Castle Museum cataloging exhibits. Here they used Canons which I didn’t like as much as my Olympus’s. Fast forward to the 90’s and after a few motley jobs I was now working for the University of Nottingham as a photographer where they used Nikons. Not long before auto focus had just appeared with Minolta forging the way, Olympus didn’t want to infringe the Honeywell patent so were left behind as Canon and Nikon adopted autofocus. Since I was using Nikons at work it made sense to go Nikon AF with an F601 and then F801s. Then by the mid 2000’s technology advanced further and film was being replaced by a CCD chip, so D80, D90, D7000… Until, in 2014 I side stepped to a mirrorless Sony A6000 drawn to be able to see the what I was going to get before pressing the shutter button . Again, because Nikon didn’t go mirrorless, I did wait and hoped but that was to come later. However, the Sony wasn’t a good match, I hated it’s fiddly little buttons and utilitarian design despite its decent image output so bit the bullet and emptied my wallet on a Fujifilm X-T1 kit.

This looked like the cameras I was used to using although more complex under the skin. I got some good shots with this camera and enjoyed using it but a few unpredictable ones, looking back now I should have kept it longer and learnt its foibles but the nagging pull of a full frame sensor eventually got the better of me, it was pure GAS, I know. So, along came a Sony A7 and then A7R ii… However, more recently in 2025 a couple of old Fuji’s have been added, a virtually unused X-T10 and a used X-Pro 1. I’m being drawn to older digital cameras for their simplicity and less clinical output. And after all it’s the message not the medium that’s important, something it’s easy to lose sight of with so much marketing pressure.